White Cyclorama Tutorials
// March 6th, 2010 // Movies / TV
White cyclorama help texts are available all over the Net and many of them regurgitate the same information in rather hard to reach language. As such, I have taken the trouble to work through all the instructions available and filter the most important, need to understand facts about using white cyc’s in your picture or photography productions.
This paper will not delve into major detail on the simplest way to incorporate cyc technology into your production but it will touch on general information that each aspiring cyc user needs to know before imploring its use. Hopefully, this text will help you find your feet and get you started on a fruitful career using white cycs. In all the white cyclorama tutorials that I find online, there’s a continual emphasis on space which is one of the most vital factors when it comes down to utilizing white cycs. Space is as vital to cyc studios as breath is to human beings, you simply cannot make any compromises on space unless you are ready for headaches building damage control on the quality of your productions.
A massive space is important because it permits you to shoot photographs from a mess of angles rather than be limited to a confined shooting space. As an example, overhead shots, or long steady shots of continual movement would be difficult with a smaller sized cyc. However , if you are doing easy photographed portraits, a smaller space can be enough. Simply make certain to absolutely research the logistics of your shoot in order to choose sufficient space.
Lighting is also a top concern when using white cycs. It is extremely important that you use lighting in a way where it will be cast evenly and uniformly along the cyc without any shadows or smears as it causes glare. When shooting in front of a white cyclorama, 2 lights in the background will do just fine . The floor of the studio should give you a reflection of the object you are shooting. An emphasis on the cleanliness of the white cyclorama is not frequently made on white cyclorama tutorials but it is a crucial factor. A white cyclorama should be precisely that, white. It has to be clean and capable of being repainted. Not a lot has been said about the white cyclorama needing to be dent free, and that is one thing that needs to be repeated. Any dent or gruesome spots on the white cyclorama will damage the quality of your photos.
Not everyone can afford to have their own studio and that’s why rental studios are making lots of money, and can be a workable alternative for any expectant artist. Studio rental services should give you as much technical assistance as you want even to the extent of allowing rentals of lights and cameras. Do not forget to check out all hardware for good quality before renting.
